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A Short Definition For World Cultural Geography

World Cultural Geography
World Cultural Geography

A study that examines the relationship between place and culture. In general terms, Cultural Geography studies the value of cultural practices, discourses, tangible artifacts and expressions of people, the diversities and complexities of our society, as well as how these cultures are distributed throughout the space, how spaces and identities are created as well as how people interpret the meaning of their surroundings and make sense of their surroundings, and how people create and share information and meaning. World Cultural Geography has been a significant component of the field of geography. Still, the way it was conceived and conceptualized, the tools used to study it, and the method of conducting empirical research has changed significantly in the course of the course.

The Evolution Of Cultural Geography

In the 19th century, culture geography attempted to analyze and contrast various cultures across the globe and their relation to natural ecosystems. The concept has its origins within the idea of anthropogeography by Friedrich Ratzel and, similar to the field of anthropology, sought to study the social practices of cultures, their cultural practices as well as indigenous knowledge, however, it emphasized people’s relationships with and the use of places and the natural world (see the term “Landschaft”). This type of Cultural Geography was adopted, adapted, and promoted within North American geography at the beginning of the 20th century, notably via the Berkeley School and Carl Sauer. These were especially interested in the ways people adjusted to the environment however, they were more interested in how they created the landscape through engineering, agriculture, and construction as well as how the landscape reflected on the individuals who created it.

Early Approaches To Cultural Geography

Although this kind of geography in the field of culture is used, it was questioned in the 1980s by new ideas that have led to what has been called ‘new culture geography’, leading to a broadening of the cultural horizon within the field. In the 1980s when cultural geographers began to consider innovative theoretical concepts within the field of social theory, which included post-structuralism, humanism, structuralism as well as postmodernism and postcolonialism, and recasting the concept of World Cultural Geography in several important ways. In particular, culture was seen as being a fluid, flexible, and dynamic system which actively shapes society rather than merely reflecting it.

The Fluidity Of Culture And Symbolic Landscape

From the viewpoint of a new Cultural Geography, the landscape was not merely a physical artifact that straightforwardly reflected the culture however, it was also a source of symbolic meaning that had to be interpreted about historical and social contexts, employing new methods like iconography. In the same way, it was argued that other practices of culture such as artifacts, representations, and objects were required to be conceptualized and analyzed in greater contextualized, contingent, and relational ways, which were sensitive to the complexities of power and difference. In this context, the new generation of cultural geographers claimed that cultural identities aren’t essentialized and teleological but should be considered as a component of complex power geometries that give an array of hybridity, diversity, and (see essentialism and theorizing teleology).

Cultural Politics And Power Dynamics

Since the 1980s, culture geography has been developed to study the many ways in which culture changes and impacts the everyday lives of people and their surroundings. Studies have explored the political and cultural practices of various social groups, with a focus on things like disability and gender, ethnicity sexuality, race, and how the processes and practices of excluding, the colonial, imperialism, nationalism, and religion affect the lives of people living in diverse contexts, fostering feelings of belonging and excluding. Others have studied how culture is expressed and affected by representations like music, art, photography film, mass media, as well as material culture such as food, fashion and heritage, memorials/monuments, and monuments as well as the ways of generating knowledge and expressing it through languages. Recently the shift towards non-representational theories has led to a shift in the role of representations.

In the context of the cultural revolution, it has also seen the desire to investigate the way that culture interacts with other types of the geographical study, like the economic and political, suggesting that these fields are affected and shaped by cultural processes (see cultural economics). Therefore, the field of World Cultural Geography is one of the most exciting fields of the field of human geography at present.

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